18th Century / 1701 - 1800

Pair of engish model Modenese chairs supported by curved frontal legs that are connected to each other by an H shaped croosbeam. Padded seat and open backrest.

Europe Late 19th century Early 20th century

Pair of porcelain vases decorated with polichromed floral motifs.

20th Century / 1901 - 2000

Terracotta vase, dating back to the early 20th century.

18th Century / 1701 - 1800

Group of four Modenese chairs based on an English model, supported by legs of which the front ones are moved, connected by "H" crosspieces. Seat with straw, while the open back is carved; in walnut.

Pair of ceramic vases with cylinrical base and decorations of oriental figures inside the reserves.

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

19th Century / 1801 - 1900

Pair of Liberty wrought iron and shear plate wall lights decorated with phitomorphic motifs; originally they were gilded as we can deduct from some signs, but they had been painted in green later.

Corner cabinet, veneered wood, chromed aluminum band.

Table with metal base, top in lacquered wood.

Pencil on paper. Bottom right, on both, the writing "Pietro Mulazzi sketched", with the date 1883. By an unknown artist but skilled in the use of pencils, these are the portraits of a bourgeois couple, whose gray faces emerge clearly from the paper background red. They are presented in contemporary gilded frames, with several shortcomings (to be restored).

Portrait of a child

Oil on canvas. Signed lower right. Palermitan painter, Francesco Camarda distinguished himself for figure painting, dedicated to portraits and the nude, and above all for animalist painting, in the wake of the realist production of the Palizzi brothers. He was able to express a painting with a lively and fresh color. In this small canvas is proposed the portrait of a child sitting on a chair, hooded to frame the plump and smiling face, the direct gaze, the plump little hands resting on the knees in a proud and resolute pose. The work is presented in a contemporary frame.

Male Portrait in Profile

Oil on cardboard. signed lower right, with a dedication "to friend G. Rutelli". Of humble origins, Angelo Dall'Oca Bianca, even once he became an established and appreciated artist, frequenting the Italian and international artistic-cultural environment, always maintained the bond with his city, a continuous source of inspiration for his artistic production, and for its poor; in 1939 he built the Dall'Oca Village in Verona, for the benefit of the poor of the city, and in 1941 he made a will, leaving all his money and his paintings to the city of Verona for charitable works. His painting was always of a purely realist mold, influenced above all by his contact with Giacomo Favretto who allowed him to enrich his painting technique with bright colors and a large and vaporous style, and by the use of photography as a memory for the representation of truth. . The work, a portrait of a male figure seen in profile, is lively in the colors. It is presented in a stylish frame.

Oil on canvas. The painting, made in the first half of the 1900s, takes up the landscape works in the subject and in the pictorial mode: in a landscape rich in vegetation and with peaks in the background, a young commoner asks for charity from some travelers who rest on the roadside , near a stone arch. The canvas has undergone aging and is presented in a late 19th century frame.

Female Face 2001

Oil painting on canvas. Dated and signed on the back. Born in Seregno, Danilo Martinis was trained with Osvaldo Minotti. Painter and designer, he has furnished prestigious residences all over the world, his works are particularly appreciated in the United Arab Emirates and in Russia. He loves to express his thoughts through graphic-figurative images rendered through geometric effects and chromatic games, using mainly female figures as interpreters. In this work he proposes a close-up of a female face, enhancing its expressiveness through the play of colors in the ranges of yellow.

Cement paste sculpture depicting the bust of a man. Anonymous author.

Square table from the 70s-80s with enamelled wooden base and smoked glass top.

Table, stained beech, mahogany veneered top, brass. Manufactured in Italy, 1960s.

Solid wood and mahogany veneer centre table.

Pair of swivel chairs. Base in chromed metal and aluminum, foam padding, imitation leather covering.

Table with carved decorative details and small drawers under the top, solid beech wood and mahogany veneer, entirely cherry stained, remarkable clear glass laying on top.